Exactly one year ago I drove up to Vilareal to attend the opening of my friend's Raúl Pérez and María Herreros' exhibition at the TEST art show. It was a great show, we had some laughs and went for lunch. When it was time to leave it was suggested that we should visit the nearby village of Onda's El Carmen Natural Sciences Museum.
My memory of that place was wild. I first went there on a school trip at a very early age and it totally blew my mind. Basically the place is full of stuffed animals and really creepy stuff and there's this crazy orange light at sunset that comes through the windows and into the jars full of horse babies and weird shit. I must have been 7 years old back then, but this memory a human baby in a jar with this burning orange light flooding the whole museum stuck in my head forever.
So yeah, definitely when it was suggested that we went there I definitely agreed. Luckily I had my camera with me so I took a couple shots.
At the beginning I thought my childhood memories must have been from a different place, 'cause I didn't see brains in jars or any beautiful natural light coming though the windows. I had literally no remembrance of the first floor, which was full of (now kitschy) dioramas full of stuffed animals. I wasn't until I got to the second and specially the third floor that I realized that's the only thing that stuck in my memory. I was lucky that by the time we had to leave the sun was setting and coming in through the curtains and I had just seen those crazy jars with a baby and a brain and it finally all came into place.
Actually the owner of the museum was there and he explained everything about its origins. It was interesting to see that these were all donations from the families of hunters that passed away and even pet owners that had their dogs stuffed and donated them in order to be able to keep visiting them (kinda creepy actually).
It was quite revealing to visit a place that really left a mark on your childhood's visual memories, that has been left untouched since then, and compare the experiences felt then and now.
Kinda wish I'd taken a camera back when I was 7. Or maybe not.
Tomorrow and sunday I'll be in Madrid covering award-wining designer Juan Vidal's fitting and backstage for Mercedes Benz Madrid Fashion Week. I've been working with him since 2010 in a variety of settings ranging from high-end production campaigns to lookbooks to backstage stuff.
I guess if I had never worked with Juan I would have never learned a couple of things about fashion. The REAL fashion, not just the glamoury stuff everyone can see. The inner- workings of fashion are actually fascinating and extremely demanding. We all think it's easy to look gorgeous when the outfit rocks and the model is 90-60-90, but it's not. "Fitting" is key to that illusion that these models were made for these dresses. This is the process in which all the outfits are tried on tons of models and the designer and it's team note down which ones look better on each model and whether that particular outfit may need some "fine-tuning" to fit a certain model (yeah! surprise, they're not all 90-60-90!).
The "fitting" with Juan can be extenuating. No wonder everything ends up looking perfect on the catwalk! We're talking about trying outfits for hours on end until the whole collection is ready for the show!
So yeah, I'm glad to have had the privilege over the years of being present in these events and being able to document them.
Somehow I never showed any of these shots from last september's Marguerite SS14 collection. I tend to keep 99% of the photos I take to myself, which I know sucks. Currently trying to overcome this "handicap" ;)
Context-wise: it was Juan ''s first time in the main catwalk for Madrid Fashion week, as a part of the prize he got for winning Vogue's "Who's On Next?" competition. What caught us all by surprise was the fact that he won Best Collection for SS14! Not young designers, overall BEST collection! That explains for some of the champagne shots :P
For the camera geeks this was all shot with Contax 645, Contax G1, Zenit B and Canon EOS 5 cameras using Kodak Portra 800 for color and TriX 400 at 1600 for black and white. Developed and scanned at Carmencita Film Lab.